Philadelphia director Ricky Staub’s first feature film, “Concrete Cowboy,” reveals familiar territory in his story of a young black boy who is portrayed in the stale problem of struggling between a “life of crime” and to decide what we can call socially more acceptable interests Adapted from author G Neri’s YA novel “Ghetto Cowboys”, the boy in question is Cole (“Stranger Things”, Caleb McLaughlin), who is sent to his father Harp (Idris Elba) for the summer after being expelled from his school in Detroit for fighting with his peers The interest is, as the title of the film certainly shows, the art of riding; More specifically, the lively black cowboy community in North Philly

The relationship between Harp, a longtime cowboy, and Cole is clearly strained, but “Concrete Cowboy” doesn’t seem too interested in explaining why exactly that is the case. The same goes for the friendship between Cole and his cousin Smush ( “Moonlight” Jharrel Jerome), who, despite being close friends with Cole, is brought to fruition here largely in moral relief as he extends his own right as a character, Smush, a former driver, now works for a local dealer from whom he steals profits, and quickly takes Cole under his wing despite Harp’s protests

In many ways, the film too easily leans towards the availability of a character like Smush and doesn’t seem to question why that is Smush’s fate is determined from the moment he appears on screen Its ability is flattened to serve as a moral wake-up call for Cole and a lived reminder not to follow in the footsteps of Harp, which once led a life similar to that of Smush.It is a form of identification that nuanced the viewers looking for and looking for a contemporary portrayal of inner-city black childhood, which leaves behind a bad taste and which also underlines the reliably everyday vision of the entire film

For Dust, what matters instead is the horses and their riders. The movie’s redemption narrative is covered in the back seat as we instead deal with the past and present of the community history of the Fletcher Street Stables, a real-life Black Horsemanship community that Active for more than 100 years, it is undoubtedly the stronger narrative style of the film and all the more so as it relies on real Fletcher Street drivers who almost stage the stars of the film with their charisma and unexpected agility on screen / p>

For this reason, it’s all the more curious that “Concrete Cowboy” takes the form of a red drama rather than a documentary. Dust clearly established a relationship with the community, having been close to his people and his own for two years prior to filming Has enjoyed space, and is well aware of the need for autonomy and self-determination in relation to the voices highlighted here (as well as the often-forgotten history of black cowboys in America as a whole) these are exactly the reasons why one has to wonder what exactly the filmmaker himself borrows for this film, except for a perfectly normal commercial veneer

Rated: R, for language, drug use, and some violence Running time: 1 hour, 51 minutes Play: Available on Netflix

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Concrete Cowboy

World news – USA – Review: ‘Concrete Cowboy’ lacks the charisma of the real black Philadelphia riders

Source: https://www.latimes.com/entertainment-arts/movies/story/2021-04-02/review-concrete-cowboy-idris-elba