We use cookies and other tracking technologies to improve your browsing experience on our website, display personalized content and targeted ads, analyze website traffic, and understand where our audience is coming from. Read our cookie -Policy to learn more or to unsubscribe, please also read our privacy policy and terms of use, which will be released on 20 December 2019 came into force

Apparently, even death couldn’t stop the longtime Raiders owner and former NFL commissioner from appearing in this documentary yes, it’s as weird as it sounds

At least in one way, the newest entry in Canon 30 for 30 by NFL Films is Al Davis vs. The NFL is exactly what you think it will be.The story is probably familiar to anyone with a knowledge of the history of the Raiders or the NFL It includes the 1966 AFL-NFL merger, the Raiders’ move to Los Angeles, and the ensuing antitrust lawsuit against the NFL.The documentary focuses on the inconsistent relationship between longtime Raiders owner Al Davis and then-NFL commissioner Pete Rozelle , former colleagues who became bitter sparring partners There is plenty of Davis bombast and no less than four interpretations of “The Autumn WindNone of it is terribly shocking

That said, apart from one thing: The completely insane decision to have deepfakes of Davis and Rozelle tells the entire documentary itself

When I say deepfakes – well, I mean deepfakes Rozelle died in 1996, Davis in 2011.They appear throughout the documentary as CGI reanimations of their former selves pacing up and down the Raiders’ new stadium in Las Vegas – which of course big old sand pit during both men’s lives (did you think the league was missing out on an advertising opportunity? Sin City, baby!) Things get weird instantly: while the deepfakes aren’t in the official trailer, it takes less than a minute to to get to a creepy, scary one Valley version of Davis loitering on the upper deck of Vegas Stadium – in front of the 85-foot memorial torch that was built in his honor

But the resurrected Davis and Rozelle do so much more than just loitering, terrifyingly, they also talk, a feat made possible by voice actors hired to pretend to be both – a performance better off another corner of the city Strips would have stayed

“I just wanted to be loved by my Playas”, Davis pulls into the camera, “It seemed as if the players had somehow scratched my signature off the ball – no other part of the field was affected. Imagine that” , the not quite Rozelle giggles

The fake duo walks through the empty halls of Allegiant Stadium – Davis in his signature white tracksuit, of course. They climb stairs They lean against railings and watch the grandeur of a brand new, taxpayer-funded stadium or themselves back on that mortal shell Did I mention it’s really, really weird?

A statement from director Ken Rodgers about the decision to use creepy computer dolls crows by initially complaining that Davis and Rozelle themselves were not available: “We’d have the rhythm of questioning the tertiary characters who played the drama in between Rozelle witnessed, can take over and Davis to tell this story, “said Rodgers,” we kept coming back to one basic premise: Nobody can and should tell this story other than Rozelle and Davis themselves “

Life – wait, no – finds a way. Continued Rodgers: “Then we discovered the online world of ‘deep fake imitations’ and began using digital technology to recreate the visual essences of Rozelle and Davis as if their spirits would still be with us ”

Ah yes, the wonders of a technology best known for its pornography and terrifying Infosec capabilities, Wonderful!

Not that anyone would confuse these clips with the original article: The depiction here makes Princess Leia’s foray into the vacuum of space appear positively realistic.Their faces are doughy and plastic and false, so that Davis’ later years are positively charming in retrospect feel

The craziness goes beyond the aesthetics, of course. The “dialogue” by Rozelle and Davis makes for an extremely strange text from a journalistic point of view. The quotes are not exactly controversial and are based on what the filmmakers call “extensive research both in the archives of NFL Films ‘as well as in the coverage of the Raiders’ litigation in the 1980s, but they are too actually no quotes? Documentaries are non-fiction by definition; Once you start digging into fabulism, you’re operating on a completely different level.Interviews – especially on camera – are about what you can say as a source, whether it’s a great revelation or just putting the public veil There is nowhere a journalist who would not have wanted his interviewee to make things a little clearer, more concise, or more open, just give them a slightly better quote – or that they could fully include the voices of various sources that they don’t get because they did not want to participate or because they are no longer there

This is where NFL Films literally put words in Davis and Rozelle’s mouths. Maybe they are true to the story of the events in question and the real Davis and Rozelle, but they are not real for as much as Al Davis vs. The NFL pretends to be a tribute to the lives and work of two men She did them a disservice too

Ryen talks to Tedy about Tom Brady growing as a player, the Patriot Dynasty, Travis Kelce vs. Rob Gronkowski, Flashing The Risk, Patrick Mahomes, Tedy’s Super Bowl Tip, and More

Mike and Jesse also answer questions about mailbags and explain the carton market and where to get them

Van and Rachel also discuss Keke Wyatt’s confusing statements about oppression and answer some mailbag questions

Amanda and Amelia discuss the New York Times documentary series that takes a closer look at the pop star’s career and relationship with fame

Danny, Danny and Craig preview the Super Bowl with a three-way DFS tournament, trivia innuendos and audibles in the last second

Sean and Amanda are joined by Adam Nayman to talk about the awards season and the latest indie films

Al Davis

World News – USA – Nothing can prepare you for the 30 for 30 deepfakes by Al Davis and Pete Rozelle

Source: https://www.theringer.com/nfl/2021/2/5/22267485/al-davis-pete-rozelle-deepfakes-30-for-30