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The new FX Hulu document, “Framing Britney Spears,” explores not only the singer’s conservatory, but how pop culture is failing her

They gather outside a Los Angeles courthouse in November 2020, with voices being raised, projected through face masks and smartphones, to analyze complex legal documents and, as I said, fairly homemade protest signs, “WHERE’S BRITNEY’S MONEY?” “NO GIRL NOR FREE WOMAN” Your loneliness is killing me”” (That’s a t-shirt and apparently a hashtag) “BRITNEY WILL NOT BE A SLAVE 4 U”Or, best of all, on the show, of course:” FREE BRITNEY, BITCH “

Yes, the #FreeBritney movement has re-mobilized to oppose the conservatory the tumultuous pop superstar has lived under since 2008. A legal conservatory, most commonly used for the elderly or otherwise disabled, grants one from the court gave a third party full control over an individual’s finances and personal life The word “CONSERVATORSHIP” is quite difficult to cram onto a protest sign for recording because it has about twice as many letters as you think (It also sums up protest chants: “Hey hey! Ho ho! The conservatory has to go!” “Doesn’t roll off your tongue exactly)

Britney’s Conservatory – mostly controlled by her father, Jamie Spears – came into being after her darkest hours in the withering public in 2007 when she shaved her head, hit a paparazzi SUV with an umbrella, and then disappeared for a moment in the midst of the Her Family Concerns Over Unspecified Mental Illness and Substance Abuse Almost a decade later, in 2016, the New York Times released a thorough and excellent report on Britney’s restrictive legal position that remains in force to this day That report, in turn, sparked the #FreeBritney movement, which Britney now recognizes more often (via court documents and cryptic social media posts) as she opposes her conservatory more

Framing Britney Spears, a new FX documentary released on Hulu last week as part of the network’s ongoing New York Times Presents series, artificially sums up all of this chaos Access is minimal, there are tons of talking Minds, from journalists to Britney’s various (albeit mostly past tense) colleagues and confidants, but no major actors: no Britney, of course, no Jamie, no long-suffering mother Lynne Spears of Britney, no inner circle of the present, there is no earth-shattering news to spread instead is this an opportunity to re-watch how the gruesome celebrity industrial complex – and more recently a maze of legal system – tries to break it you wouldn’t call this program a good time, but if you maybe had too much time with it, watching the tabloid cabal terrorize Britney Spears in the mid-2000s is this possibly a necessary form of repentance

The first half of framing Britney Spears is a brief rundown of young Britney’s rise to teen-pop megastardom, and oh, wow, is it ever awkward in hindsight: every last interaction this person ever had with the media is super gross. There’s 10 year old Britney, brave from Kentwood, Louisiana, who brings up the Judds’ love can build a bridge on Star Search Ed McMahon then asks if she has a boyfriend. Here you don’t have to think about the details of the rise Boom: The Mickey Mouse Club Boom: Performing on stage in a mall, relatively indifferent Boom: Performing “Baby One More Time” on stage from a mall to a tidal wave of teenagers screaming Boom: the “baby again” Video Boom: a semi-pornographic Rolling Stone cover spread Boom, the mega-creepy television interview that begins like this:

Boom: Your relationship with Justin Timberlake and their breakup, as well as his “Cry Me a River” video and that irrevocably stupid detail magazine cover that overcompensates so heavily that it’s amazing it didn’t reverse the earth’s rotation

In a brisk 75 minutes, Framing Britney Spears still manages to show us vintage shots of Britney Spears crying three times in front of the camera: once with Diane Sawyer (they talk about JT), once with Matt Lauer (they talk about what) it would be before the paparazzi left them alone) once with MTV (she speaks of the conservatory) Given the New York Times involvement, the doctor excels at putting all this profound ugliness into context : NYT critic Wesley Morris, unsurprisingly among the most astute of the speaking minds, links Britney’s rise to the Clinton-Lewinsky scandal and the spectacularly crude way we (or at least Jay Leno!) Spoke in the late 90s and early 2000s about sex Then Boom: Britney marries Kevin Federline Boom: Two children Boom: Comprehensive tabloid about how she endangers her children The polar opposite of loneliness brought her at

This downward spiral continues until Britney shaves her head and hits the SUV with that umbrella At this point the doctor trots out the paparazzi guy who drove the SUV, a Daniel Ramos who ate out on this anecdote for years (he auctioned the umbrella in 2017) Ramos theoretically understands that he feels bad about his previous job should (“It sucks you right in and it’s hard to get out of there”) He understands that he’s essentially been stalking a desperate young woman who is desperately trying to see her children in an ugly custody battle until they are him or at least be him The car blew up “That night wasn’t a good night for you, and it wasn’t a good night for us,” he thinks now. “But it was a good night for us because it was a money shot” Also:

INTERVIEWER: “Do you think that the paparazzi influenced her at all?” RAMOS: “I don’t really think and I don’t really think because she has worked on her for so many years, she has never given any advice or information us: “I don’t appreciate you guys. Leave me the F alone” INTERVIEWER: “What if she said:” Leave me alone “? “

She was hospitalized twice in early 2008. “Nobody talked about mental health while Britney Spears was going through all this in public,” notes Morris. And here comes her family, and her father Jamie, who through the documentary as inconsistent presence in his daughter’s career up to this point, and most of all excited about the possibility that her fame and fortune could buy him a boat, turns up when she returns to legal janitorial, as well as taking care of the money from The Conservatory Established permanently in 2008, is divided into financial and personal components and allows more or less complete control over your life. In theory, you cannot make major or minor decisions without authorization
From there, it gets a little more complicated, or at least thoroughly soaked in legal language. To simplify matters, it is questionable whether Spears needed an extraordinary amount of legal and other help in her deepest moments in 2008 and a temporary conservatory made sense (and from Britneys Point of view, it may have been the only way for her to see her kids further) But in 2021 the idea is that a 39-year-old woman with two kids and an enormously lucrative career (her first Vegas residency began in 2013 and made millions) unable to take care of herself apart from some shocking revelations, questionable about her sanity never made “We don’t know what we don’t know,” shrugs a speaking lawyer who worked on her case and here ends framing Britney Spears, and the dissatisfaction with that ending is perhaps what we deserve

The documentary is accompanied by a glimpse into the #FreeBritney movement that is burning the fire over social media, upbeat podcasts, and protests outside the trial where Britney pays all the lawyers: the lawyers who fight for them and The Lawyers fight for the conservatory that is supposedly fighting for them Forbes reported that Britney was worth around $ 60 million as of 2019; The main motive for continuing the Conservatory at this point is brutally obvious. Britney has made it clear that at least she no longer wants her father to control her life Instead of a climax, the November 2020 trial ends with the court rejecting the full suspension of Jamie, but choosing to appoint the Bessemer Trust Company as a co-curator, the protesters accept this as a partial victory that will have to be enough for you too

Your tolerance here in 2021 for a public protest on this particular issue may vary (members of the #FreeBritney movement are moving about identifying with her and her mental health struggles) .Your tolerance, here in 2021 , for a move largely limited to installing Britney’s Instagram account for secret messages, may vary (your decision to end her message in her first post after a long absence that she would spend a little time with me with a smiley face as opposed to having to take an emoji with a smiley face is viewed as suspicious) Britney has acknowledged all of this in her own way: in a legal document she celebrated “the informed support of her many fans” to the clear delight of those fans. The whole point in the design of Britney Spears, however, is that you cannot get Britney Spears yourself, unfiltered or in any way ungrounded ebound

The third time we’ve made vintage Britney Spears cry is part of the 2008 MTV documentary Britney: For the Record, which was filmed, of course, once the conservatory is up, and Britney and Jamie quarrel a lot in front of the camera; it has a typical teenage daughter vs. Father mood, although the truth is of course infinitely more complicated. But at some point Britney makes it clear:

If I wasn’t under the restrictions I’m under right now, with all the lawyers and doctors and the people who analyze me every day and all that stuff – if it weren’t for that, I would feel so liberated and feel like me When I tell you how I feel, you hear me, but you really aren’t listening. You are hearing what you want to hear. You are not really listening to what I am telling you. It’s bad

There is a long pause, and then Britney Spears makes it even clearer, “I’m sad, and then she cries again

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Britney Spears

World News – FI – Maybe Britney Spears has never been free

Source: https://www.theringer.com/tv/2021/2/8/22271658/framing-britney-spears-conservatorship-free-review-documentary-hulu-fx